© Provided by GamePurĪs soon as you’ve done this, things will begin to break. When you’ve done that, run to the red machine and sabotage it. When he does, flip a coin to distract the NPC on the right and move them in the opposite direction to this red machine. You then need to wait for the NPC that went left to move away from the red machine. Wait for the two NPCs in front of it to finish their conversation and move apart.
Hop the tube and hide behind the barrels in the image below. You’ll be able to see the grape juice tube going through the opening. Pick up the wrench, and then enter the room ahead of you. Turn around and head to the blue toolbox. That would destroy the silent assassin rating, so don’t do it. If you try to throw him over the ledge here, he’ll die. You don’t need to hide the first guard’s body. Subdue this second guard and hide his body in the nearby container. Do it and subdue him before he can see you. You can hang from and then vault the barrier here to get to this guard. Then run forward and hop the giant tube of grape juice. Wait for the guard on the railing to have his drink and turn around. Now turn around and pay attention to the guard on the railing ahead of you. When he’s having a drink, get close and pick up the fuse cell. He’ll have a drink and move back and forth across this desk. Head through the opening behind him and into the next room. Make your way to the barrels ahead of him and wait for the janitor to look away. © Provided by GamePurĪgent 47 will automatically crouch here. You’ll see some hazard tape on the railing ahead. Move left from where these guys are and down the staircase on the right. Take the metal stairs where two NPCs are leaning over the rails having a conversation. You need to get down into the winery facility below. With one target down, head left from where you’ve been standing. © Provided by GamePurīelow is a map reference for where to shoot from.
This will kill your target, but no one else. When you’re sure no one can see you, shoot the propane tank twice. If they do, put it away, wait for a second, then try again.
Pull your gun out to see if anyone notices you holding it. Don’t go inside, but instead lean up against the wall. To shoot this, you need to head towards the bathroom to the far left of the reception desk. You need to place the propane tank in the exact location shown in the image below. You can hide in the crowds of NPCs if you need to.īy now your target will be at the reception. Watch out for a guard who can spot you while you’re running here. You need to return to the reception desk. Stick to this side of the cinema until you can run up the staircase to the top floor again. With the tank in hand, head back up the steps you came down. © Provided by GamePurīelow is a map reference for this item. Once you’re at the front, pick up the propane tank. Work your way down to the front, where the screen is using the left-hand steps. There are two technicians to your right as you come down, so head left at the bottom of the stairs. © Provided by GamePurĭown here is the cinema. Run past all of the guests and make for the staircase in the back corner of this area. You need to head into the main reception and turn right. Use your invitation to get past the guards to avoid any suspicion. You’ll need to be ahead of your first target when you’re into the mission proper. It’s best to skip the cutscene with her and get the invitation as soon as possible. The only two items you must have with you are a silenced pistol and the coins. We’re restricting ourselves to the original starting location here, so your outfit is picked for you. Choose your loadout © Provided by GamePur In this guide, we’ll take you through how you can complete Mendoza and unlock the Silent Assassin and Suit Only challenges. Unfortunately, killing both of your targets without being noticed or changing your disguise is quite challenging, though not as difficult as doing it in Chongqing. It’s packed with NPCs and filled with opportunities for mischief. Mendoza is an absolutely stunning location in Hitman 3.
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